Errata

Errata

1 Jun 2010, Telemann, Twelve Flute Fantasias arr for C Recorder, Fantasia 10, first movement, bar 8 last note should be c not A; bar 27 2nd and 3rd note should be D and E, not C and D
5 Feb 2010, Canons, Canon at Four Semitones, arranged for four hands, bar 2, 3rd system, 2nd-last quaver-chord needs a precautionary a-natural
27 Oct 2009, Daily Recorder Exercises in F, Line 6 1st bar 3rd note should be d#, not e; 3rd bar last note should be a# not b; line 10 1st bar 3rd-last note should be a(flat) not g; Minor arpeggios line 6 2nd bar 5th note should be g(flat) not f; 2nd-last line last bar 6th note should be a(flat) not g
25 Sep 2009, Contrapunctus 1, J.S. Bach, Alto bar 36 the minim A_ is tied over to the bar 37 quaver A_
22 Sep 2009, Telemann, Twelve Flute Fantasias arr for C Recorder, Fantasia 1, Vivace, bar 26 note 3 should be d not D; Fantasia 6, Allegro, bar 15 4th (and 6th) note should be db not d; Fantasia 9, Grave, bar 1 second half should be crochets a b, not quavers [a g a b], bar 2 second half should be crochets d e, not quavers [d c d e], bar 2 third quaver should be quaver f, not semiquavers [f e]; Fantasia 11, Allegro, bar 9 9th semiquaver should be Bb not Bn, Vivace, bar 15 3rd (and 4th and 5th) semiquaver should be G not G#, bar 29 3rd (and 4th and 5th) semiquaver should be B(b) not Bn; Fantasia 12, Allegro, the Bärenreiter and IMC editions mislead in bars 21 and 22: bar 21 11th note should be en not eb, bar 22 5th note should be en not eb, 7th and 8th notes should be c(#) Bn not cn B(b), bar 34 5th note should be En not E(b). Thanks again to Szabó Árpád Zoltá for pointing out these mistakes.
17 Sep 2009, Telemann, Twelve Flute Fantasias arr for C Recorder, Fantasia 1, Allegro, bars 8, 9, 10, note 5: all should be c#, not c; Fantasia 2, Allegro, bar 19, note 3: should be f not f#; Fantasia 3, Vivace, bar 11, note 7: should be C not c; Fantasia 4, Allegro: bar 21 the first note is en not eb; bar 32 the last note should be fn not f; Fantasia 5, bar 13 should be Dolce not Largo; Fantasia 7, Largo bar 14, first 2 notes should be cro. qua, not cro.. smq Fantasia 8, Allegro, bar 20: 3rd note should be Bn not B; Fantasia 9, Affettuoso, bar 9, last note is a half-note in some editions, in the original it is a quarter-note but the necessary quarter rest is probably missing, we retain this version conformant with bar 5; Fantasia 11, Vivace, bar 2, second-last note should be Bn not B; bar 14, second-last note should be c# not c; Fantasia 12, Allegro, bar 21, 5th note should be en not e; Dolce, 2nd bar 1st note should be En, not Eb.
Many thanks to Szabó Árpád Zoltá for finding all these mistakes.
12 Sep 2009, Telemann, Twelve Flute Fantasias arr for C Recorder, Fantasia 3, final Allegro, bar 25 first note should be F, not G. Fantasia 8, first mvt is Largo, not Dolce, and bar 5 9th note is contested, perhaps F# perhaps Fn.
22 Jul 2009, Contrapunctus 4, J.S. Bach, Soprano bar 122, the fourth quaver should be d, not e
8 Jul 2009, Contrapunctus 4, J.S. Bach, Alto bar 99 last three notes should be Bb d Ab, not G Bb Ab
22 May 2009, Contrapunctus 4, J.S. Bach, Alto bar 51 last note Bn should be tied over to bar 52
6 Apr 2009, Recorder Duets, Recorder 2 part: Duet 1 bar 11 first note should be dotted crochet, bar 25 second-last note should be Fn, bar 46 third-last note should be Bb; Duet 2 bar 20 missing qua rest inserted before 4th note
1 Apr 2009, Divisions on an Italian Ground, Robert Carr, Recorder part bars 7 and 87 second note should be Bn
28 Feb 2009, Trio with Guitar, For Guitar and Two Clarinets, In the clarinet parts only, bar 39 2nd clarinet, first note should read db not c#.
26 Sep 2008, Three Suites 3) For Piano and a Solo Line, 1st mvt now in 2/2 not 8/8, to discourage artificially slow tempi, and 3rd mvt bar 106 introduces a dim towards the end.
14 Sep 2008, Piano Study, bar 52: left hand is in quavers, not in dotted crochets.
31 Aug 2008, We Who Mourn, 2nd and 3rd mvts: corrected various incorrectly typeset ties.
27 Aug 2008, Brahms, Choralvorspiele, Tenor part O wie selig, bar 8 first note is an E; missing fermata added in Tenor and Bass parts.
7 Oct 2007, Bach, Forty Chorales, The Freu Dich Sehr setting is in fact the BWV 32 one, not the BWV25 (which is in C).
14 May 2007, Guitar Duet, Bar 40 the first B in the last group of semiquavers should be B-natural
23 Dec 2006, Bach Motet BWV226: Der Geist Hilft, Bar 236 Bass last three notes should be cro e qua [f e] not cro f qua [g f]
27 Nov 2006, Brahms Choralvorspiele, Innsbruck, ich muss dich lassen by Isaac, bar 13 Tenor minims are f e not f d; bars 13-14 Soprano e's are tied together.
23 Nov 2006, Bach, Three Christmas Preludes, Der Tag, der ist.. bar 15, treble player, both hands, lower voice, 1st group should be B A B and B_ A_ B_, not d c d and D C D.
23 Nov 2006, Brahms, Fugue in Ab minor, Bar 18 alto final crochet is g#; bar 19 alto the two c~ crochets should be c~#; bar 24 soprano the final minin is cn; bar 29 soprano the two d's are tied together; bar 41 soprano first note is d# not d; bar 51 soprano the third note is fn not f.
22 Nov 2006, Bach, Chorales with Descant, BWV136 last bar in 2nd system, descant voice 2nd quaver is g not f#.
2 Nov 2006, Bach, Passacaglia and Fugue, Passacaglia bar 152 treble right hand is a b-natural, Fugue bar 239 treble left hand needs a quaver rest before the F.
9 Oct 2006, Trombone Quintet, Much improved typesetting; missing Percussion part restored to the parts.
8 Oct 2006, Bach Motet BWV226: Der Geist Hilft, Bar 256 Alto should be up the octave, starting on a not A.
12 Sep 2006, Three Suites 2) For Piano, First Mvt. bar 39 right hand initial crochet rest is deleted; bar 49 top voice 2nd beat is dn not d#; Second Mvt. bar 9 needs a 11/8 timesig; Third Mvt. bar 52 needs a 2/2 timesig
20 Jun 2006, Bach Sonata BWV1032, for Recorder and for Flute, Vivace, bar 80 keyboard left hand 2nd semiquaver should flattened with an accidental; Largo, bar 31 keyboard left hand 2nd note should be up an octave, i.e. higher than the 1st note. Allegro, bar 76 keyboard right hand last quaver should be down an octave, i.e. lower than the 2nd quaver; bar 90 keyboard right hand last quaver should be natural, not sharp
18 Jun 2006, Bach Chorales, BWV104 Allein Gott in der Höh sei Ehr 3rd system 1st bar soprano is c# d e d not c# d e c ; BWV378 Mein Augen Schließ ich jetzt 4th bar from end alto 1st quaver is E not D
23 Apr 2006, Divisions on an Italian Ground for Flute and Guitar, 1st variation p.4 bar 4 guitar 4th semiquaver from the end is Dn not Db, bar 7 guitar 7th semiquaver from the end is en not eb, bar 7 flute 2nd semiquaver from the end is Gn not G#; 2nd variation (Etwas Rasch) 4th bar flute last accacciatura is Gn not G#, 2nd-last bar flute last accacciatura is En not Eb; 3rd variation bar 3 flute 2nd-last crochet is an not ab, 2nd dsq in the group of four is an not ab; 5th variation (Fliessend, zart, leise) 4th complete bar flute 8th semiquaver is gn not g#
21 Apr 2006, Violin Duets, 1st Mvt bar 11 rewritten, 2nd Mvt bar 20 2nd violin should be qua [D A_ B_b C] not qua [D A_ Bb C], tenuti and staccati put in explicitly instead of relying on the simile, 3rd Mvt bar 4 1st violin last quaver is Bb not db, bar 44 2nd violin last crochet should be <B_n E> not <B_b E>
13 Apr 2006, Easy Pieces for Trumpet and Piano, Freu dich sehr last bar trumpet is F E not A G; Ach wie flüchtig last bar piano middle note in second crochet is Bn not Bb;
9 Apr 2006, Twelve Italian Songs for voice and guitar, Caro mio Ben bar 34 guitar first chord is <Bb d fn> not <d fn a>; Ruscelletto Limpidetto last, 3rd-last and 7th-last bars B_b should be B_n; Come Raggio di Sol bars 12, 16 and 30 guitar need initial quaver rest, bar 22 voice final crochet is A not G; Caro mio ben bar 8 guitar bass note is G_ not E_; Pur Dicesti bars 23-25 guitar part rewritten; Nina 4th-last bar voice initial minim is E not e; Lamento d'Arianna bar 9 voice final crochet is F not E; O Biondetta Lascivetta bar 7 guitar the two semiquaver G's in the final crochet need a precautionary natural, Cosí, Amor, me fai languir 3rd-last and 5th-last bars guitar the two e's in the second half of the bar need precautionary naturals.
6 Apr 2006, Schubert Songs for voice and guitar, Nachtstück bar 19 voice last note is crochet c not quaver G; Nacht und Träume bars 10, 21 and 23 guitar top line first eight semiquavers are [c B c B] [c B c B] not [c A c A] [c A c A]; An die Laute bar 12 guitar middle note of first semiquaver chord is g# not g, bars 14 and 16 guitar middle note of first chord is cn not c#, bar 16 guitar lower voice last quaver is D not C#; Fischerweise bar 20 guitar2 last 2 quavers are [E_ F_#] not [D_ E_]
2 Apr 2006, Guitar Duet, bars 125, 126, 128 have time signatures 7/8, 8/8 and 7/8
14 Nov 2005, Schubert Dances for Piano 4 Hands, Écossaise D735 no.5 Treble player bar 1 left hand fifth semiquaver is c not d
5 November 2005, Contrapunctus 14 (all editions), bar 174, tenor last minim Bb is tied to bar 175 first quaver
24 Sep 2005, Three Duets, 1st Mvt: precautionary naturals in bars 49, 50, 51, 81, 82
18 Sep 2005, Bach Sonata BWV655, 3rd mvt, keyboard right hand bar 78 last smq f should be deleted
18 Sep 2005, Bach Trio BWV655, Keyboard right hand bar 10 is c# not c
19 Jul 2005, Brahms Choralvorspiele, Innsbruck, ich muss dich lassen top voice 3rd system last note is Bn, O Wie Selig BWV415 alto bar 4 the quaver-pair is [g a] not [f g]
17 Jul 2005, Schubert Dances for Piano 4 Hands, Écossaise D421 no.2 Bass player bar 8 left hand is Ab not Bb
2 Jul 2005, Schubert Dances for recorders and guitar, Ländler D.378 No.7 bar 10 (last bar on 2nd system) guitar part first stem-down chord is <D f a> not <D A f>, and Ecossaise D.529 No.3 bar 11 guitar part is c# and Viennese D.128 No.2 bar 11 guitar part the 1st f should be f#, not just the 2nd
5 Jun 2005, Die Gestundete Zeit, bar 36 bass last quaver is a not g
4 Jun 2005, Bach Sonata BWV1032, arr for Recorder, Vivace, bar 26 solo part last four notes should be [c~ b c~ d~], and for Flute, Vivace, bar 26 solo part last four notes should be [a g a b]
2 Jun 2005, Three Suites 1) For a Solo Line, all versions, 3rd Mvt. bar 73 2nd-last quaver needs a precautionary natural
28 May 2005, Three Duets, 1st Mvt: bar 21 top voice final crochet is c~n; bar 39 lower voice 2nd-last quaver is c~n
10 May 2005, Bach Ricercare a 3, bar 55 3rd crochet in bass is an; bar 98 final quaver in top voice is d~ not c~; bar 103 dotted minim A is An; bar 156 bass 3rd quaver is An; bar 158 bottom voice final crochet is a Bb in the treble clef.
9 May 2005, Wechsel der Zeiten, bar numbers 10 and 15 on the wrong lines; bar 6 re-arranged; middle voice bar 12 last note is Fn; upper voice bar 17 last note d is db,
3 May 2005, Bach Flute Sonata BWV1032, Numerous transposition errors corrected in Third Mvt.
2 May 2005, Bach Sonata BWV1032, arr for Recorder, Largo, bar 25 keyboard right hand 2nd and 9th notes should be A naturals.
30 Apr 2005, Bach Sonata BWV1031, arr for Recorder, Second Mvt, bar 21 keyboard left hand last crochet is e~ not c~; Third Mvt, bar 91 keyboard left hand is A naturals not A sharps.
21 Apr 2005, Bach Sonata BWV1031, arr for Recorder, First Mvt, bar 13 keyboard left hand last quaver is A not B; bar 29 keyboard right hand first semiquaver in the last beat is f# not a; Third Mvt, bar 40 keyboard left hand last quaver is g not f#
9 Apr 2005, Fourteen Folk Dances, Rambling Pitchfork, guitar part last line should have 2# key signature.
6 Apr 2005, Three Suites 3) For Piano and a Solo Line, First Mvt. bar 74 solo part last two crochets should not be dotted.
2 Feb 2004, Bach, Flute Sonata BWV1031, Last Mvt. bar 76 bass precautionary natural on the g.
27 Oct 2003, Bach, Passacaglia and Fugue, Fugue bar 177 bass last quaver is b (not g).
1 Oct 2003, Bach, Passacaglia and Fugue, Fugue bar 219 treble left hand A natural, bars 283-4 treble right hand missing quaver rests. Seven notes moved to 2nd player around bars 245-6.
15 Aug 2003, Bach, Passacaglia and Fugue, Passacaglia bar 48 bass right hand A_ and B_ should be A_ natural and B_ natural. Some voices moved to 2nd player around bars 157-9.
7 Jul 2003, Three Preludes, page numbers corrected.
25 May 2003, Bach, Passacaglia and Fugue, Passacaglia bar 254 bass right hand 5th semiquaver is E (flat), not D.
5 May 2003, Bach, Passacaglia and Fugue, Passacaglia bar 12 (and 13) treble left hand B natural.
24 Apr 2003, Bach, Passacaglia and Fugue, Fugue bar 170 treble left hand E naturals.
23 Apr 2003, Bach, Passacaglia and Fugue, Passacaglia bar 35 treble left hand F shortened to avoid conflict, bar 36 A naturals, bar 84 bass g shortened to avoid conflict, bar 94 conflict avoided on treble c, Fugue bar 259 bass e natural.
19 Apr 2003, For Four Hands, First movement bars 46-7 bass right hand <c d g#> and <B eb a> chords thinned to <d g#> and <eb a> to avoid conflict with left hand, bar 59 bass left hand 2nd c omitted to avoid conflict, bar 90 top voice 9th quaver A needs an explicit natural, likewise bar 92 top voice 12th quaver b, bar 111 bass right hand dotted minim <a# a~#> thinned to a#.
20 Oct 2002, For Four Hands, Second movement bar 37 top voice has a crochet A after the minim F and before the two final crochets B and d
5 Sept 2002, Telemann, Twelve Flute Fantasias arr for C Recorder, Fantasia 8, Dolce, bar 9 second semiquaver should be bb, not g
8 July 2002, Bach Ricercare a 3, bar 183 final quaver in top voice should be Fn not G
28 Dec 2001, Bach Sonata BWV1031, arr for Recorder, Allegro, bar 77 keyboard left hand should be three quavers [d~ d d~] not a dotted crochet d#.
14 Oct 2001, Draw On, Sweet Night for Recorders and for Flutes, bar 41 2nd tenor starts with a Bb, not Bn.
21 Apr 2001, Daily Exercises for Recorders, Scale in E major was missing; also the final quaver in the first half of the Bb scale should be bb
21 Apr 2001, Bach Fugue on Jesus Christus Unser Heiland BWV689, arr for Recorders, bar 15 soprano part last quaver should be G not Ab
1 Nov 2000, Bach Sonata BWV1032, arr for Recorder, Allegro, bar 151 flute part second quaver should be d not B and bar 171 flute part last semiquaver should be e not f
11 Oct 2000, Bach Sonata BWV1032, arr for Recorder, Vivace, bar 5 piano right hand second crochet should be d B c d, not d c B d
2 Oct 2000, Bach Sonata BWV1032, arr for Recorder, Allegro, bar 222 piano left hand should be g c~ an, not g b g
20 May 2000, A Suite of Curves, bar 59 piano right hand second note (G) should be crochet, not dotted crochet.
19 May 2000, A Suite of Curves, bar 52 piano top voice is f natural, not f#; bar 140 trombone part is C, not D; horn part is G, not A.
2 July 1999, Contrapunctus 14 for Keyboard, bar 151 bass is g not rest; bar 182 soprano 2nd note dotted crochet is f not g.
21 October 1998, Contrapunctus 14 for Keyboard, bar 299 tenor last quaver is c-natural; this corrects an error in Tovey's first edition (OUP).
12 October 1998, Contrapunctus 14 for Keyboard, bar 28, alto last minim D is tied to bar 29 first crochet D. bar 137, bass last crochet a is tied to bar 138 first quaver a. bar 259 soprano last minim A is tied to bar 260 first quaver A. bar 267 tenor last minim a is tied to bar 268 first dotted crochet a. bar 276 tenor last quaver is an octave up at middle-C.
3 October 1998, Ecco Mormorar L'onde, bar 17, alto, final quaver is crochet.
6 April 1998, From the 228th Chorus of Mexico City Blues, piano, bar 1, rhythms did not add up to 9/4.
4 April 1998, Tres Casidas del Divan del Tamarit, El Llanto, bar 9, first stave (voice), min db not d.

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